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At last, I saw the second seasons for Interview with the Vampire and The Mayfair Witches, after a very long hesitation.

Why the hesistation? Interview with the Vampire remains one of my favorite books ever. The entire Vampire Chronicles is one of my favorite series. I wasn’t sure how I’d feel as a fan about the changes the television series was making as they advanced.

Parts of Chronicles of the Mayfair Witches I loved. Other parts were traumatically nightmarish. I wasn’t sure which parts would become part of the TV series and which would be dropped.

Daring to see both TV series, I found I enjoyed them a lot.

Armand felt far more toxic than he did in the books. All right, he was pretty bad, yet seductively, deliciously bad, until he reached Queen of the Damned, where he became hilariously adorable as Daniel’s sugar daddy. I recall Anne Rice saying in an interview that she intended for Armand to have a larger part in her third book, but he wasn’t evil enough.

I wonder if the makers of Interview with the Vampire didn’t decide to go for that evil. At the same time, Armand of the TV series was charming, cultured, seductive, and ruthless; qualities he possessed in the books.

I wonder if Armand didn’t love both Louis and Daniel deeply, even if he was also capable of sacrificing both of them?

Rowan and Lasher were far less toxic in the TV series than they were in the books. Letting the nonconsensual aspects of their relationship go made for a more complex and loving bond, which still managed to be disturbing. The Taltos remained innocent and destructive, yet less willfully so.

The Mayfairs were the truly wicked ones. The most wicked of them all was Julien Mayfair.

Gone was Lasher’s lover, the moments of romance between Julien and his familiar. All that was left was the pretense; the ruthless protégé of Marguerite Mayfair, a role Julien didn’t care to dwell upon when telling his story to Michael Curry in the books.

Julien became far more of a villain than Lasher. This startled me, yet why wasn’t he capable of such a role? The books indicated he was, for all his charm.
Julien boasted in the book Lasher of his immunity to Lasher’s charm, due to his masculinity. The softness of femininity conveyed a vulnerability to the Mayfair familar, one which could be used to overpower and kill the women.

This bothered me when I read the book, even though I enjoyed the parts with Julien and Lasher.

There is a certain logic in taking this assertion of male immunity to Lasher, showing how cold and ruthless it could be. It lead a man to be capable of brutal murder of his own flesh and blood, of innocents in order to achieve his goal.

This happened in the book. It also happened in the series.

Both Lestat and Julien became quite brutal in the TV series, yet I feel that both were capable of such brutality in the books, even if they may not have expressed them in the same ways. They could be both cruel and tender to their loved ones.

I wonder if Julien and Lestat will end up warring over Rowan as they did in the book? It would be interesting, if they also fought over Louis.

I could imagine Julien Mayfair as being a patron of a mortal Louis de Pointe du Lac’s establishment in the red light district. There may always have been an attraction between them, even though Louis didn’t acknowledge it, let alone act upon it.

Lestat and Julien was far too alike in the many ways. They loved the same women. Perhaps they’d love the same men as well? (They did both love Quinn Blackwood in the books, although I have no idea if that character will make an appearance in any of the TV series.)

One of the things I missed in The Mayfair Witches was the male intimacy from the books. I loved how the bond developed between Michael Curry and Aaron Lightner, Michael Curry and Julien Mayfair, and even between Julien Mayfair and Lasher.

Every character who overshadowed Rowan Mayfair was removed from the narrative; Michael Curry, Aaron Lightner, and even Mona Mayfair. She was able to take center stage in a way she didn’t in the books, for all she was a very strong character.

There’s an opportunity for feminine intimacy in the TV series; an intimacy I enjoyed when it flourished in the books between Rowan and Mona, Mona and Mary Jane, Rowan and Dolly Jean. I see some of that same intimacy between Rowan and Dolly Jean in the TV series, along with potential for it to blossom between Rowan and Jojo, Rowan and Moira.

I loved the character of Jojo, a trans woman as one of the Mayfair witches, Cortland’s favorite, and Rowan’s confidante.

I enjoyed how Moira did the opposite of Mona, starting out as a jealous rival, only to become more of an ally, as opposed to the intimacy which blossomed magically between Rowan and Mona in the book Taltos, only to turn into jealous adversity in The Blood Canticle. I’m hoping Rowan and Moira’s relationship becomes a more intimate one.

I wish both TV series could have done more pick-ups of exquisite detail, like the ones both Hannibal and American Gods displayed. Such moments are a chance to capture with the camera a sense of Anne Rice’s flowery prose. There was one scene with a statue in Paris with that lingering detail. I wish there had been more.

Overall, I really enjoyed both of the second seasons, the television drama made of the books. I enjoyed how the intimacy rekindled between Louis and Daniel at the end of the interview, after realizing how Armand played with both of their lives. I enjoyed the linking of the two worlds, noting how much more sinister the Talamasca is in both.

I wonder how those worlds will collide. I wonder if the Talamasca makes both collide.

I hope The Mayfair Witches contines. I hope The Vampire Lestat will have it debut on television.
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Grand Guignol is a term I only learned in recent years, yet it’s something I’ve been aware of for years. It may have been the beginning of modern horror with its theatrical attempts to shock and splatter.

The term comes to mind when I think of the series; Chilling Adventures of Sabrina. This went beyond the gothic thrillers I enjoy, dipping into gore and shock, disturbing me, yet it was peppered with cozy moments. As dark as this series got, it never lost sight of heart, family, or friendship. Humor often tapped a beat out in time amidst the horror tropes, as the characters subverted those tropes as part of their journey.

Much of the cozy involved Sabrina’s aunts, Zelda and Hild, whom I came to enjoy as much as Sabrina. They were living out a stereotype of witches as Satanists in the Church of Night, yet their strength and love of family wouldn’t allow them to stay that way. They found a way to be witches serving Hecate, abandoning Lucifer as their dark lord.

Not that Lucifer liked it or the men in the Chuch of Night. Satanism forced witches into a submissive position, under their dark lord. Witches found they wanted far more than what the Church of Night had to offer.

Trope after trope from a girl in a white dress forced to sign her name in the devil’s book to a vampire overwhelming a girl’s will to bite her was introduced and challenged.

I marveled at the carnival of Grand Guignol (and yes, there was an actual carnival) which made an appearance, only to be subverted in some fashion, being exactly what I expected, and yet not what I expected at all.

Somehow this felt very traditional, and yet there was an arc, leading the cast away from tradition.

It’s intriguing to watch and very cleverly played out. It makes me think about the way we can play with tropes and subvert them. There’s a lot of love for these tropes, yet an acknowledgement expressed in the characters’s growth that you can go far beyond them. A label does not express the whole truth of a person or a community. More can seethe within that community than the trope can contain.

This has given me a lot of food for thought.
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One of Darth Vader’s compelling traits as a villain isn’t just his iconic armor, the sinister sound of his breathing; although those things are compelling. Nor is it the fact that he took a suit meant to compensate for life-threatening disabilies and turned it into an expression of power; complementing his formidable mastery of the Force.

All of these traits make him one of the most memorable villains of all time. I’m struck by a quality which drives the plots with Darth Vader, making him again a force to be reckoned with.

This character is obsessive to the point of madness. He directs all of his considerable strength; personal and temporal towards his obsession.

When he was Anakin Skywalker, he was obsessed with Padme. When he became Darth Vader, he became obsessed with Obi-Wan Kenobi. No longer was he restained by morality or anything else. He was set up finding his old master, defeating him, and triumphing over him.

Neither of these obsessions ever left Vader, not completely. They rekindled and became one when he discovered Padme had children, a child Obi-Wan had been training. They became fixated upon Luke Skywalker, his son. Luke was the only legacy of his love for Padme (or so he thought). Young Skywalker had been Obi-Wan’s remaining triumph over Vader, the hope he died for.

An obsession with reclaiming his son threatened to tear the galaxy apart, completely focused upon Luke and anyone in his way.

Maybe the very thought of Leia enduring being the focus of that dangerous obsession drove Luke to fight his father with all his checked rage in Return of the Jedi. In the end, Luke stopped himself, stopped his rage.

Did Vader ever stop himself? Did he let others stop him? I’ve wondered at the way Obi-Wan, Padme, Luke, and even Leia have slipped through his fingers in the movies and the series.

Vader told Obi-Wan that he betrayed and murdered Anakin Skywalker in his battle with his former master at the end of Obi-Wan Kenobi; a lie Ben chose to embrace and pass on to Luke.

This turned out to be a lie in more ways than one. Maybe Anakin was always there, making Vader hesitate at crucial moments, rather than lashing out with his full power.

It’s something I find myself thinking about, after seeing the movies and certain series multiple times.
Yes, I’ve seen them multiple times. I’ve got something in common with Darth Vader; I can be obsessive.

I’ve sometimes imagined having the power to push aside or rip apart anything which stands between myself and what I want. When I was a child, I used to imagine having such power.

As an adult, I sometimes still visualize such an ability vibrating in my entire body, wanting to get out, wanting to lash out.

It’s just as well I don’t have such a power. Such a power could very difficult to stop. You might need others to help stop you.

Perhaps Vader did have those people, even if he didn’t realize it at the time.

It’s something to wonder about.
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I was so obsessed with Star Wars as a child, particularly the light sabers. The way they glowed, hummed, and crackled when they hit another saber.

I marvel that this particular universe and story has prevailed, carrying on to generation after generation. My niece and nephews all love Star Wars. They’ve seen all sorts of TV series on Disney+ I haven’t.

Hanging out at my in-laws’s home over the holidays, I saw the first few episodes of Acolyte. Once again, twins are playing a major part in a Star Wars story, only this time they’re identical and both girls.

In a curious way, they’re reminding me of Beth and Kate Kane from Batwoman more than Luke and Leia. They’re closer than anyone, yet divided by allegiences to the Jedi and the coven which raised them.

There is something irresistible about creating a coven of witches in the Star Wars universe. Yes, the Jedi knights exist, but they’re more like a priesthood with a strict code of ethics, not allowing room for wildness. The Sith feel like their shadow, absorbing all their negative emotions, inverting and mirroring their power.

I was wary of being drawn into Star Wars again, because it’s been a powerful obsession in my life. As a child, I collected figures. I was fascinated by Darth Vader, his sheer sinister power; by the fact that he was the father to these slight, white-clad adversaries; Luke and Leia. I was fascinated by how close he was to them, yet opposed.

There had never been anything like that I’d ever seen as a child, your own father being the villain. Now it’s become almost iconic and I jumped on the bandwagon with everyone else, embracing the notion of family as a protagonist’s adversary.

There’s no foe worse than those closest to you, yet Lord Vader is hardly the worst father out there. At least he seems to want his children, even if they’re on the opposite side.

I’ve been drawn to the development of this relationship in the comics; reading some of the ones about Darth Vader, Luke Skywalker, Princess Leia, enjoying how Han Solo, Artoo (amused at how foul-mouthed the little droid is when he’s not around Luke or Leia), Threepio. Chewbacca, and Lando interact with them; delighting in the addition of characters like Dr. Aphra.

Now we have Disney+. Now I have a chance to try some of those TV series my family have been watching.

Time to indulge.
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At a time when I seek to get away from my own despair, I latched onto this show.

Complex characters developed over the course of four seasons. These teenagers grew up in a time more technologically and socially advanced than mine, yet they showcased an all-too familiar pecking order. Many of the insecurities they suffered from, I remember only too well.

Hannah was such a strong voice, speaking for attractive, smart women who don’t fit smoothly in the category of either social elites or outcasts. I felt she was falling into a crack, which I often felt yawning under me, when I dared to show how much I didn’t fit it.

Clay and his family did something my parents and I did; allowing friends of mine whom were having a hard time to stay with us. Only Clay took it a step further; Justin became part of his family. He became his brother.

I marvel at seeing how they were romantic rivals and enemies in the beginning over Hannah, yet her memory brought them together, forming a bond which was among the strongest they had. It was beautiful and bittersweet, seeing how this evolved and changed.

One thing I envied was being able to go to formal dances without a date of the opposite gender, a change I’ve found wondrous. Having two prom kings was a dream come true, something I’m delighted to see future generations celebrate.

I do remember at regular dances forming a circle, those of us without a date. We’d sway together during the slow numbers; feeling the power of honoring a more communal and less intimate love than that of a twosome.

I recalled this when Clay’s friends surrounded him during a song which reminded him of Hannah. Seeing them all link arms and slow dance together echoed that power, yet it had a unique sweetness all its own.

The court trial brought back a recent memory of anxiously awaiting results of how fate and the law would effect the future. The result was like an echo in fiction of what happened in reality.

When all of the survivors of abuse showed the courage to stand up and declare it, I cried. I remembered all the people I’ve know who survived sexual abuse. I found myself crying and crying, yet I felt my spirits lifting, as if I was relieved of a weight I hadn’t realized I’d been carrying.

There was so much pain in high school, yet there were moments I wouldn’t have taken back for anything. I could see one of those moments in the prom. Seeing the two kings, seeing the various kids dancing reminded me of times when I danced, gathered with a club for a picture, or shared a moment with my friends.

High school is a difficult rite of passage, but what would we have without it? What would we lose, if we didn’t have it? If kids didn’t go through it?

No one should terrorized or bullied, but everyone should have a chance to learn, grow, and develop their thoughts; discovering themselves as they do.

May future generations never lose the power to flourish as individuals. May you find wonder and encouragement as you learn, regardless of what obstacles stand in your way.
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I keep thinking of a myth I’ve forgotten most of, yet I remember a painting of it. Athena triumphs over Ares, forcing warfare to slink away from the battlefield, giving way to wisdom.

I saw this, long before I ever watched Hercules or Xena: Warrior Princess; where Kevin Smith made Ares sexy and sympathetic, if a very manipulative bad boy.

Ares didn’t strike me as being sympathetic in many of the original myths. He provoked quarrels, violence, and bloodshed. He made the world an unstable, unhappy place.

Athena could outwit him and outfight him, but she had many skills beyond applying her wits to war. She used them to guard, guide, and educate. She was a weaver and a patron of knowledge. She could be a champion for those trying to think of a way out of their difficulties as well as to the mighty.

Athena had flaws, but I marveled at how well-rounded she was. Athena was capable of many things, accomplishing, and helping others to accomplish many tasks.

Ares specialized in one thing; something warriors relished and reveled in, yet also kindled their horror and regret. He spread unhappiness, encouraging other to spread it as well.

I’m thinking of this myth a lot right now. It feels as if there’s been too much war and not enough wisdom.

I’m hoping wisdom will get the upper hand in the world.
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How strange the different directions my fannish thoughts may wander.

I was listening to Niko’s theme on the Dead Boy Detectives soundtrack. It reminded me of something; one of the strains. I couldn’t remember what.

It came to me while I was unloading the laundry; listening to Fred Mollin’s score for Forever Knight Season 1: Dark Knight.

I wasn’t thinking of Niko’s theme at all. I was too delighted to recognize the moment when LaCroix and Nicholas were reunited while Alyce Hunter watches, feeling a utter shiver of delight which I kept private for years.

Yes, I was part of the Unnamed Faction. LaCroix and Nick didn’t have to touch, just speak and look at each other. I was utterly enthralled.

Recognizing that moment brought back that swoon, that moment of excitement.

The score to Dark Knight gave way to Lori Yates’s song; Touch the Night. I recalled how it was used in one of the Forever Knight boxed sets as a Nick’N’Natpacker video. I found myself appreciating that aspect for the first time as I listened to the music, the lyrics.

Natalie Lambert could touch the night when she touched Nick, feeling her own mortality, her inner ticking clock, along with the temptation embodied by him.

I have softened so much towards this pairing with time and the easing of homophobia; if Nat is allowed to be a full, complete character rather than reduced to some feminine ideal of love, guiding Nick to heaven. If she’s allowed to be tempted, falter, facing with snark and her wits the many obstacles between Nick and herself.

All of this was in my mind when I realized what Niko’s theme reminded me of; the music playing in Daughters of Darkness when Elizabeth Bathory lit the black candles for a final meal with Valerie and Stefan before Elizabeth and Valerie make a meal of Stefan. There’s something delicate about the strain as Elizabeth plays her final word game with Stefan, right before he gives into his violently possessive feelings about Valerie, rousing the violence in Elizabeth, and awakening it in Valerie.

Elizabeth is denying being a ghoul, lightly saying she’s one of those outmoded characters, the beautiful stranger in a lonely setting. Stefan responds by saying death follows her everywhere.

Curious to hear an echo of that strain while Crystal speaks to Niko on Dead Boy Detectives; the two girls discussing the lonely voids in their lives left by lost family members, voids which echo and overlap, drawing them together.

It’s only the music, as Heather Alexander sang years ago in a song or is it?

Regardless, it’s a lovely tune.
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Most of my life I’ve taken flights of fanciful fandom.

I’ve lost track of the times I’ve gone to Oz or Wonderland as a child. I’m not sure if I was aware of the concept of fanfic until I was an adult. I imagined, talked, and roleplayed it, driving many people crazy as I dragged them into it with the enthusiasm of an obsessive. I played out crazy crossovers with a mixture of Star Wars figures, Smurfs, and Strawberry Shortcake miniatures.

I enjoyed reading fanfics and visualized my own, not quite daring to write any; not until Amber Diceless Roleplaying Game.

One of the ways to get extra character points was to write a journal for my character. Rowan, daughter of Deirdre (none of the male players got the Anne Rice reference, although they smirked whenever my character was around Martin) was fleshed out exquisitely.

I’ve returned to The Chronicles of Amber while keeping a promise I made to myself during lockdown; to return to the books I loved and write reviews for them. I was one of the few people who enjoyed the Merlin books as much as the Corwin books, although I needed the Corwin books to enjoy them. I needed to get to know Corwin and Brand first to appreciate the hungry holes of need they left in Merlin and Rinaldo’s lives, holes which would be a shared bond between the two young Amberites. I needed to encounter Dara with Corwin; appreciating her with, strength, and ambition to see what Merlin was grappling with, to catch a glimpse of what a forbidden passion as well as a power project the Silver Rose of Amber might be.

I’ve found myself writing fanfic about Dara along with some of the other women of Amber. Flora and Llewella have discovered voices which surprised me. I wonder about Nayda; once a more ambiguous life form being shaped into something more definite as Gail, finding herself trapped in a body. I consider the more sinister impression she must have of Mandor than Merlin does, not to mention Dara. I think of how much she impressed the Pattern, how interesting it would be if the ultimate entity of Order continued a more friendly relationship with this Chaos demon.

I find new characters popping into my head as I chortle over the stoned boys at the Wonderland bar; singing, watching the man paint while the Cheshire Cat grins. I imagine a non-binary bartender named Alys with the blood of Amber and Chaos, yet no knowledge of either Pattern or Logrus. All Alys knows is the mural, reflecting a shifting reality which they’re helping the man create. Sometimes Alys arm-wrestles visitors and borrows the Vorpal Sword to fight bandersnatches. They sport a bandersnatch tattoo, pouring drinks for Merle and Luke when they come to visit. They listen as the two kings get drunk and sing.

I find myself hanging onto Mandor’s every word as he wines and dines Merlin with such charm, courts Fiona, and entertains Jasra; all the while noting his casual mention of the hells he’s personally designed.

There’s so much potential in Amber and Chaos. It’s a creative cauldron of a vast array of worlds overlapping each other, sometimes shifting and changing along with their denizens.

How could I resist?
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It never happened except in Ponclast’s imagination. The confrontation he had with Swift in The Bewitchments of Love and Hate was all they got.

Never mind that hating Swift kept Ponclast going all that time in the Forest of Gebaddon. Never mind that Swift hated him for what he did to his father, to Gahrazel, and perhaps for making him hate himself for being a Varr.

Ponclast was no match for Pellaz. Lileem turned out to be exactly the right person for Ponclast at the right time. In the end, I’m glad things went the way they did in the canon.

I let go of my flights of fanciful fandom about Swift crossing swords with Ponclast or one of his lost brothers. I let go of fantasies of Swift and Tyson fighting back to back, embracing the part of both of them that was Terzian.

There’s many a story about a he with the sword. Far more magical ways are found of coping with their foes, often mingled with mundane ones.

I love the way characters can talk out their problems in the Wraeththu universe without feeling like we’re losing any of the drama. If anything, the drama is being subverted, questioned, and reshaped.

My fancies change into the private scenes, dreams, imaginings of what could have been. Swift could have had nightmares about the events in the second trilogy or even the first. Maybe he and Tyson will talk about these nightmares.

Pellaz and his dynasty are larger than life and I love them. At the same time, I have a soft spot for those Who Dwell in Forever.

Somehow it doesn’t feel like matters have settled between Seel and Cal either. I found myself listening to Me and Ur Ghost by blackbear; picturing Seel coping with all the changes, his emotions for Cal in The Wraiths of Will and Pleasure.

I’m still reading some of Storm Constantine’s Wraeththu books. I’m not sure if she ever told that story.
I look forward to reading the ones that she did; along with the Wraeththu stories others told.

I’m glad she opened the universe up to other writers, allowing Wraeththu to continue. She truly expanded the universe in the second trilogy.

It’s the sort of universe with our combined imaginations that will keep expanding.
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There wasn’t much anime at FanimeCon 2024. I might have enjoyed some of what was playing at the Doubletree, anime my husband saw, but didn’t get into.

I wouldn’t have wanted to miss the panel on queer fandom. I felt like I was reliving my youth; as significant events and changes were cited over the years.

I remembered my furtive visits to fanfic sites as our panel host shared them in the early 1990s. It was such a guilty pleasure, going to them. I didn’t dare tell anyone about that pleasure, yet I wouldn’t have given it up. At a time when most of the TV shows I enjoyed were pushing the most contrived heterosexual relationships to deny the homoerotic power crackling between many characters of the same gender; fanfiction was like a drink of cool water upon a parched throat.

I remembered all of that as I sat there, listening. I remembered when the world became aware of slash fanfction. Our enemies screamed abuse and did everything to stop up, putting pressure on the sites where slash fanfic could be found to deny readers their passion. I remembered the crushing sense of betrayal when beloved authors sides with our enemies in opposing our passion, making it all the more guilty.

Thank all the powers in existence for Storm Constantine. It made all the difference in the world that she was there for us, supporting us. It made all the difference to me as a writer, having her as a source of inspiration. It still does. Her words live on to generate creativity, even though we lost her.

No way was I not going to mention her when I realized our panel host had never heard of her. I’m going to remind slash fiction readers and writers of her every chance I get. I remember how much it mattered to me when I found her and started reading her. I connected with Storm Constantine’s writing in a way I hadn’t anyone’s other than Anne Rice’s. This was my writing. This was a writer I felt represented me; what was in my heart that I fumbled to express.

It wasn’t just the Wraeththu books; the amazing, post-apocalyptic, androgynous flowering hope they presented to a binary world. It was everything she wrote. I felt connected to everything.

I’m still mourning her loss. I still draw upon her words for inspiration.

We’ve come so far since that time when Storm Constantine first began to inspire me. It’s taken much of my life and all of my youth to become a published author of original stories and poems along with a prolific fanfiction author at Archive of Our Own.

At least I’ve lived to see these things happen. Not everyone is so lucky.

Thank every power for Archive of Our Own. Thank you for being a place where I can post all of these stories; fanfiction for series lost past which still bubble up inside. Like Storm Constantine, you’ve become a haven, an inspiration, and a historical landmark in fandom.

We are all the better for having you.
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For most of the 1990s, I lurked around fanfic sites; shocked and secretly delighted at what I found.

Here LaCroix of Forever Knight got to express his passion for his Nicholas without reservation. Here Mulder of The X-Files didn’t just romance Scully, but let the unresolved tension between himself and Krycek loose in steamy ways. Here the Gua of First Wave weren’t exclusively heterosexual and neither was Cade Foster. Here Derek Rayne of Poltergeist the Legacy didn’t might be Alex Moreau’s mentor in a classical sense, but he’d once been mentored in a similiar fashion by Victor Arkadi. Here Ivanova and Talia of Babylon 5 could explore their romance in more depth. Here Methos and Duncan from Highlander could not just live together, but do so like a married couple. Here Buffy and Faith, the Slayers of Buffy the Vampire Slayer could express their intimate rivalry in other ways than their fists. Here the Watchers from Highlander and Buffy the Vampire Slayer could interact not only with the Legacy, but the Talamasca.

Fanfiction was a deep, guilty pleasure I dared not indulge in myself, even if I lurked obsessively. I was warned if I wanted to see any of my original stories published, I couldn’t be caught writing fanfiction. To make it even more of a guilty pleasure, two of my favorite writers spoke out and took legal action against those who wrote fanfic about their characters.

This crushed me. I felt as if my lover had revealed herself as religious right in the middle of making out, to expose me to a hostile, homophobic public.

Thank every higher power in creation for Storm Constantine. She saved me. I turned to her writing when trying to turn away from my former favorites’s writing. There was a void where they’d been. Storm’s exquisite, poetic prose, rich in slashy characters filled that void.

Storm Constantine had a site with fanfic links. In a moment of bravery, I told her how much I loved her writing. I presented her with a couple of fanfic stories and a poem.

Her thanks and acceptance was a release for my repressed creativity. Being able to write fanfic spurred me on in my original works, breathing life into them once more.

Now I’ve found Archive of Our Own, a wonderful site which feels just right to post on. I’m able to share some of those ideas which have been brewing in my head for years.

As I go through my files of unfinished stories, I find fragments of story I never dare to share. I find stories about Micki Foster of Friday the 13th: The Series and Cade Foster of First Wave being cousins (on the opposite side of the family as Ryan Dallion and Uncle Lewis Vendredi) along with descendants of Nick Knight from Forever Knight. There are stories where Natalie Lambert and Tracy Vetter of Forever Knight find themselves roused from death as Immortals part of Highlander’s Game while Janette Du Charme turns Tessa Noel into a vampire. Duncan MacLeod starts having flashbacks of both Janette and Nicholas feeding on him while Methos recalls how much he teased General Lucius, a.k.a. LaCroix when he was Death.

Colonel Grace of First Wave reveals that she’s not only part of the Illuminati, but Kristen Adams’s aunt in Poltergeist the Legacy; as well as having connections to the Syndicate in The X-Files. This is why Kristen Adams died on Poltergeist the Legacy, after dying previously as Faith’s Watcher in Buffy the Vampire Slayer. Kristen was cloned, but why do none of her clones have the acidic green blood of a human/alien hybrid? Why does she disappear like a Gua, something everyone who witnesses her deaths have trouble remembering? Why was Alex in her fluctating vampire state able to not only drink Kristen’s blood, but have some of her humanity return?

All of these stories have been brewing in my imagination for years. Now some of them are finally taking shape in stories.

I’m reminded of them as I watched Kristen Lehman in Midnight Mass and Altered Carbon, remembering some of the crazy crossover ideas I had for Kristen Adams of Poltergeist the Legacy. I’m reminded of them as I sort through my files, finding old fanfics I wished I could share, but didn’t dare.

Thank you, Archive of Our Own, for being a place where I can at last share these stories. Thank you to everyone who ever gave me kudos there. You gave me the courage to stop lurking and start writing.
Thank you to all the fanfic writers I was too shy to thank when I was lurking, secretly savoring your stories. You led the way. You were brave. You are amazing. You inspire others to be amazing, too.

Thank you to Storm Constantine for being the divinely creative and supportive force that you were and are, even if you’re no longer with us. Your words are eternally charged with that spirit. To read you is to remind me of that spirit.

May your spirit continue to guide and inspire us all.
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I’m so glad the Doctor is now asking the question as well.

I have my own theories about the Doctor’s past, the past that the Doctor remembers.
Many believed Claire Bloom was the Doctor’s mother, but I wonder if she wasn’t the Doctor’s father. Perhaps I should say the Time Lord the Doctor believed to be his father. In that incarnation, she was referred to as an angel covering her face in shame. Her posture was similiar to that of a Weeping Angel.

Is that what happens to certain Time Lords; shamed, disgraced, and cut off from the Time Vortex? Do they become Weeping Angels?

As for the Doctor’s mother, the Doctor has said he’s vague on the concept of motherhood. (The Doctor was David Tennant as the time.) He’s also said he was half-human. (The Doctor was Paul McGann at the time.)

The Doctor has also said she has seven grans, the fifth was her favorite, even if the fifth thought the second was a Zygon. (The Doctor was Jodie Whittaker at the time.) I would love to see more of that, even if it’s in a flashback, what with the ruined Gallifrey, but to return to the Doctor’s mother (who might have no relation to the seven grans).

What if the Doctor believed their mother was from Earth? What if the Doctor’s reasons for first coming to Earth (that they can remember) was to find their mother, a human woman they never knew? What if the Doctor was still looking for her, even as they find and connect with many other humans? (This may be why Adelaide Brook, her daughter, and granddaughter touched him in a very personal way in The Waters of Mars.)

The Doctor’s past was revealed to be a lie, but the Doctor’s memories may still feel real to the Doctor. Where did the lies come from? How much truth is symbolically hidden within them? How will the truth continue to bleed through the lies the Doctor thought were the truth?

I hope future episodes of Doctor Who will explore further the Doctor’s memories; the one he has and the ones which were lost. I’m looking forward to what the upcoming episodes will explore.
rhodrymavelyne: (Default)
I’m constantaly trying to reorganize myself; put my stories in order, both the original works and the fanfics.

This doesn’t mean I don’t forget things; put them aside to work on something else, to do something else. Sometimes that something else takes so long, I forget what I’ve put aside.

I unearthed a bunch of unfinished Sherlock fanfics recently, stories I hadn’t remembered I’d written. I made Jim Moriarty an Immortal in some of them, an Immortal of the headhunting Highlander variety. Nothing would madde the man who courted death and destruction, particulary his own more than immortality, or so I thought.

To my surprise, he flourished during the Immortals’s Game, especially when an obliging vampire brought Sherlock across. Jim was able to share not only eternity, but Quickening-infused blood with the man made for him.

Not that Sherlock was grateful or agreed with being made for Jim Moriarty. Strong as his bond is with his archnemesis, it’s just as strong with John Watson. In the canon as well as many a fan’s heart, Sherlock chooses John, or perhaps that bond chose him. (The dream of John matter-of-a-factly taking charge of Sherlock’s fantasy, making Jim make the fall into the falls without Sherlock is open to all sorts of interpretation, pardon my spoilers. :)) Sherlock’s bond with John brings out Sherlock’s better nature, much as the companion does with the Doctor on Doctor Who.

Sherlock couldn’t let go of Jim Moriarty, however, any more than the Sherlock who ended up with Jim Moriarty in my stories was able to let go of John Watson. I myself am torn between the two pairings, as my interpretation of Sherlock is torn.

On a related tangent, I doubt Mycroft Holmes will ever forget his little brother’s taunt about finding a goldfish. All this comes back to haunt me as I unearth these fics while still working on Haunted by Ashes, my ongoing Netflix Dracula story.

Mark Gatiss plays both Mycroft Holmes and Frank Renfield. Frank is bonding with Dr. Jack Seward as the two men figure out what to do with themselves in Haunted by Ashes, taking place in the aftermath of the Dracula three-parter. Dr. Jack Seward is a doctor, like John Watson. Unlike John, he’s a therapist.

It’s possible Dr. Jack Seward would be the perfect goldfish.

It’s worth a thought.
rhodrymavelyne: (Default)
There’s been a lot of speculation about what classic elements of Doctor Who will return, reinvented.

My own imagination keeps returning to the Rani; speculating on the part she could play if she came back.

What if the Rani was involved in the Time War? What if she designed some of the horrors the Doctor mentioned in The End of Time, Part 2? What if she was the one who resurrected both the Master and Rassilon?

She may be wanted as a war criminal by the Shadow Proclamation, but she may be decorated as a war hero by the High Council of the Time Lords. As far as the latter is concerned, the Doctor may be the war criminal. Rassilon may need her to stay alive. The Master may need her as well, even though he’s reluctant to admit it.

What if the Rani escaped the destruction of Gallifrey? What if she had some hold over the Master and was using him to find the remaining Cyber Masters to rebuild Gallifrey in a shape more to her liking?

What if the Rani was intent on resurrecting other Time Lords, such as Morbius?

What if the Rani knew the Doctor was the Timeless Child or found out? What if she wanted to use the Doctor to recreate the Time Lords or something superior? What if she was searching for the Doctor to do so and decided to use the Master to catch him? What if she wanted to use the Doctor to get to his lost race and universe?

What if the Rani had been part of Division? She may even have been a professional rival of Tecteun, only she became too dangerous and underwent the same treatments as the Doctor, enabling her to attend the Academy with the Doctor and the Master?

If so, if the Rani is far older than the Doctor thought, what if the Rani is the one who created the Master as a deliberate foil for the Doctor, the Timeless Child, one who would challenge and check them? What if the Master’s lust for blood and pain was something ingrained in his creation as much as the drums? What if he was made this way to keep the Doctor distracted from other projects Division might have had? Selecting a childhood friend, someone the Timeless Child loved may have been a coldblooded calculation to play on their emotions.

What if the Rani’s motivation for almost everything she does isn’t that different from Bryan Fuller’s Hannibal Lecter? What if she’s just curious? Her curiosity might both mirror, yet be far more twisted than the Doctor’s.

All of these possibilities could shape the Rani into a distinct and different adversary for the Doctor than the Master, the rival the Doctor shares a strong emotional bond with.

It’s interesting, considering the possibilities.
rhodrymavelyne: (Default)
I’ve had songs from Doctor Who playing in my head, off and on throughout the holidays. The Toymaker’s dance in the flower petals when he invades UNIT, taking both Kate Stewart and Mel in The Giggle often springs on my imagination, alternating with the goblin song about the baby which the Doctor and Ruby join in while rescuing the baby in The Church on Ruby Road.

When did Doctor Who become so musical? (Not that I mind.)

I find myself remembering how the Master and Lucy Saxon started dancing to a song during the invasion of Earth in The Sound of the Drums. The Master danced and sang with both Lucy and the Doctor in The Last of the Time Lords. Years later the Master danced again to Rasputin for a caged Doctor and an audience of the Doctor’s enemies in The Power of the Doctor.

All this singing plays to my own fannish habit of having songs I associate with certain characters. Crazy by Andy Bell I associate with Doctor Who; all the dashing about with a companion, not to mention the Master/Missy’s conflicted passion for the Doctor. The mention of The Wire has a specific context for me as a Whovian (The Idiot’s Lantern is one of my favourite episodes). Many of Eiffel 65’s songs I’ve imagined being sung by a group of rogue Daleks who rebelled against their race and decided to get musical. They’ve taken to stalking a young human man who resembles the Tenth Doctor. When one of their extensions pop out of their casing, they’re offering him a bunch of flowers. (This was inspired by an actual fan video by someone who looks like David Tennant.)

Some of this idea could come back to haunt the current Doctor. I could see him luring them into singing pop music, which makes them hate him all the more. At the same time the Doctor does return that hate. It will be interesting to see how our current Doctor handles the Daleks. They’ve always been the ones who’ve triggered his rage. Ruby may have to help him if they do it again.

I’m impressed with our current Doctor thus far. It’s great to hear him sing, watch him dance, wear a skirt; having a great time doing all of these things while saving his future companion. A little time with Donna Noble and her family may be just what he needed.

The pain of recent revelations is impossible to escape, no matter how cheerful the new Doctor may be. I’m happy to see the recent specials tackle that pain, along with how it’s forming a bond between the Doctor and his new companion.

I’m very curious to see where they’ll go next, where the TARDIS and their feelings will take them. How the Doctor and Ruby’s families; the one they’ve bonded with and the one they know nothing about, will play a part in the stories to come.

I’m looking forward to more!
rhodrymavelyne: (Default)
Once again I’m late to the party, yet falling madly in love with the series once I watched it.

What a beautifully balanced show Sense8 was; expressing trauma and joy, action and fun, intimacy and group dynamics; being hunted, individual loneliness leading to the discovery that no one is ever alone in a series of beautiful journeys eight different people make.

This is the first television series to challenge Hannibal for Number 1 in my regard. Hannibal was the first series I was certain challenged Babylon 5 for my Number 1, although Buffy the Vampire Slayer, Witchblade, and Sherlock came close. How curious, yet appropriate another show by J. Michael Stracynski should take the top space in my regard, not that JMS was alone in writing Sense8. The Wachowskis, whom I’ve only just become aware of, even though I’ve loved some of their movies made this happen as well. I’m starting to look up some of their other works besides The Matrix movies, curious about what else they’ve done.

I had the same reaction to Bryan Fuller, once I realized he was the one behind Hannibal, that he’d also been involved with Heroes and Pushing Daisies. I wanted to find the rest of his work and I loved what I found. Hannibal, however, has a special place in my heart as does Sense8.

I found myself falling in love with all of the characters in Sense8; not just the cluster itself, but those connected to them; how they connected to other. The series felt like it was all about connection; a network of sensates reaching out to embrace others. I loved Capheus’s optimism, Will’s wide-eyed surprise at everything he was encountering, balanced out by a determination to get to the bottom of it, leaving no one behind. Kala’s innocence and intelligence mingled into an endearingly eccentric and strong character who kept evolving and learning. Sun’s wide-eyed waifish vulnerability was a powerful contrast with her physical prowess, leading her to open up with other characters while aiding them their strength. Wolfgang seemed so standoffish and tough, yet a boyish gentleness sparkled in him when he interacted with certain people, kindled more and more when he spent time with his cluster. Riley seemed so fragile and introspective when we met her, communicating more through music than words, yet she rallied at other character’s vulnerable moments, showing a strength which got Will and the rest of her cluster through many a crisis. Nomi was just as vulnerable, yet intelligent and focused, matching Will in determination to understand what was happening, supported every step of the way by her amazing girlfriend, Amanita. Amanita, wow, what a woman, how she rallied to Nomi’s side, never losing her own quirky wit, bringing a little of old San Francisco with her mom, her dads, and her book shop connections. Lito was so melodramatic, yet tender-hearted, made all the more thoughtful by his love for Hernando, the professor who loved art, not to mention Dani, the friend who gave a strong voice to women who love seeing men together and become a loyal ally of that love. Offering opposition was the sinister Whispers, hunting the cluster from its birth. His story, the way wove in with Will’s was fascinating. He managed to say “Hello, Will” with a certain unique intimate menace in the wake of many a Hannibal Lecter, something I tip my hat to him for doing. Whispers and Jonas provided an interesting balance to Angelica, the cluster’s mysterious mother; beginning to weave the network in which Angelica’s cluster would find their places in.

It was a fascinating weave, ending on a satisfying note. At the same time, flights of fanciful fandom took off in many directions, especially as the sensates became more public. Has this cluster come out? Whom have they come out to? Did Kala reveal what she was to her family? (Probably, although her stepfather could be a problem.) Is Sun in charge of her brother’s company now? What will happen to Capheus since the local sensates reached out to him? Will he win his election? Will Lito come out as a sensate as his movie premieres? Will Lito’s former manager regret letting him go? (I hope so.) Does some fragment of Whispers cling to Will’s mind, haunting him? This has the most fanfic potential for me. I would love to see Will give birth to a cluster of his own, yet I’m unclear on how sensates find themselves expecting. The moment Jonas told Will either gender could give birth to a cluster felt like a teaser for Will, of what may happen in his future. I imagined two girls in his cluster having a lot of love for each other they express by fighting each other, causing Will no end of headaches. :)

There are so many delightful possibilities for the Sense8 universe. I’m so glad to have discovered it. Thank you, JMS, Lana, and Lilly for providing this wonderful series.
rhodrymavelyne: (Default)
I saw the Mighty Nein's latest adventure. I just have to marvel at how Trent Ikithon managed to transform the classical love a mentor has for a student described in Plato's Symposium into something Angelus might do in Buffy the Vampire Slayer/Angel.

I recall how Spike wept when Dru left him, saying that she wouldn't even cut his head off or set him on fire, to show she truly cared.

Did Trent ever care in a way demons (and sinister archmages) do! I'm guessing Trent would prefer to cut the heads off of Essek, the Mighty Nein, and everyone Caleb ever cared about, just to break Bren and make him stronger.

I doubt it will ever be over between Trent and his precious pupil until one of them kills the other. Trent must either kill Bren, using the pain from killing one of the few people of value to himself to become stronger or Bren must kill him; surpassing him in might. Only then will Trent's tutelage and Bren's education be complete.

If so, Caleb may have thumbed his nose at his adversary by trapping him twice. By refusing to destroy or consume his mentor the way Trent wishes him to do so.

It's a fascinating relationship to watch play out; one which Matthew Mercer and Liam O'Brien role-play with riveting intensity. They've brought such power to this adversity. I can't look away when Trent and Caleb confront each other; even if Trent is simply taunting Caleb with a voice message.

At the same time I laughed my head off with Beau shut the door on the message. Only for Caleb to say deadpan they should probably hear the rest.

I do wonder where Trent got such a twisted notion of the educational curriculum a mage should offer their pupils. I also wonder how much Ludinus shares it.

Trent believes the loss of Bren's family, his home was his defining moment. Caleb might argue it was meeting Nott in prison, followed by meeting the rest of the Mighty Nein.

Trent might retort that the Nein's true binding moment was the loss of one of their own, followed by a vision of the colorful banner of Mollymauk's coat, fluttering in the wind in the breeze.

It's an argument Trent will persist in making to the last. It's one that Caleb will resist to the end.

I can't say I like Trent any more than I liked Delilah Briarwood, but I find his relationship with Caleb riveting, just as I find Delilah's with Laudna riveting.

Matt Mercer does villains so very well. Long may he reign. (heart)
rhodrymavelyne: (Default)
It’s hard taking flight in fanciful fandom when reality is biting with a painful sting.

I remind myself that I did get to discover and indulge in an old love before sickness invaded our home. My husband got me Ultraviolet, a 1998 vampire series on DVD for our fifteenth wedding anniversary.

To think Stephen Moyer played Vampire Jack ten years before he played Vampire Bill on True Blood. They’re such different series, yet I can see a crossover element in the synthetic blood. The vampires of Ultraviolet were trying to create it. The vampires of True Blood had succeeded in doing so, allowing vampires to come out of the coffin and mainstream.

The undead had far more sinister motivations for the synthetic blood in Ultraviolet or perhaps one could say environmentalist?

I realized that vampires who loved humans and vampires who loved toying with humans might find common ground in opposing these particular undead scientists. Neither would want to give humanity up. A sadistic master vampire and their estranged human-loving fledgling might be united in opposing a threat to humanity, even within their own ranks.

It’s an interesting thought.
rhodrymavelyne: (Default)
I’d forgotten I loved Bram Stoker’s Dracula as a child, particularly the part where Johnathan Harker goes to stay with Dracula as his guest. The courtly courtesy with which Dracula treated his solicitor, revealing something of the monster and the man while imprisoning the young mortal, claiming Johnathan Harker as his, protecting him from his brides, yet offering him to them as snack was fascinating; a suspenseful tale which kept me hanging on the edge of the seat.

I’ve seen so many disappointing Dracula movies; emphasizing a romance between Dracula and Mina, something I didn’t feel was there. Lucy always struck me as a more likely candidate. I was saddened to see Johnathan reduced to simply a rival for Dracula’s bride. I became aware of the even more depressing legal restriction, not allowing male vampires to bite other men on camera. (I salute Jerry Dandridge and Tom Holland in the 1985 Fright Night for finding such an elegant way around that, enfolding the victim in his coat).

The Netflix Dracula brought the old love back. I was fascinated by the take which Steven Moffat and Mark Gatiss took on Johnathan Harker’s visit to Dracula in his castle; how Dracula sucked the youth, the knowledge, the very Englishness out of his guest along with his vitality. Johnathan Harker transformed Dracula into exactly what he wanted to be, a dapper English speaker ready to take London.

I don’t think I’ve ever seen such a cheerful Dracula. He was comfortable being a monster, intimate with his prey without apology. He enjoyed meeting people, eating people, took great delight in humanity’s innovations, smiled a lot, and was no less scary for all of this. His ending was a melancholy, romantic one, involving more intimacy than actual romance, and showed a curious character growth.

I loved the finish, but I wanted more. I realized there was potential for more, taking what was in the book and reinventing it in the context of this series.

Mark Gatiss’s Renfield was fascinating, a lawyer whom was hilarious in how he foiled the Johnathan Harker foundation, a lawyer from the very firm Johnathan Harker was from. (Was Harker an offering to the master? Very likely.) Frank Renfield still ate bugs and was partial to lines praising his master, but he had his plans and dreams for his dark lord.

Did those plans and dreams die with Dracula? Or would Frank Renfield hold onto a hope of bringing him back, finding another vampire to serve, or figuring out another way to achieve them?

Dracula seemed to be his reason for living, but Dracula is gone.

Jack Seward lost the girl he loved and his mentor in his last encounter with Dracula. Both are gone.

What if Frank Renfield and Jack Seward to meet and have their therapy sessions, a variation on what happened in the book after the series ended? What if Frank Renfield offered to talk in detail with the Johnathan Harker foundation, share everything he knows about Dracula and vampires in general?

There’s just one condition. He wants to talk to Dr. Jack Seward. He will only confess all to him. In return, Dr. Seward will help him with his therapy. After all this is what Dr. Seward has been training to do.

The question Jack and others would be trying to figure out is why? Why does Renfield only want to speak to Jack? Why is he offering to talk at all? What’s he up to?

It could be Frank Renfield does, indeed, need therapy. It could be he sees a kindred spirit in the young doctor who lost the most important person in his life, a person he himself didn’t matter to. It could be he’s searching for information about Dracula’s demise, what happened on that last night? It could be he’s trying to get into the head of Van Helsing through Van Helsing’s student. He may have much deeper motives for having conversations with Jack Seward in which he shares his own ideas about life, lives, Dracula, and his place in the world.

This has potential to be quite a story.

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