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At a time when I seek to get away from my own despair, I latched onto this show.

Complex characters developed over the course of four seasons. These teenagers grew up in a time more technologically and socially advanced than mine, yet they showcased an all-too familiar pecking order. Many of the insecurities they suffered from, I remember only too well.

Hannah was such a strong voice, speaking for attractive, smart women who don’t fit smoothly in the category of either social elites or outcasts. I felt she was falling into a crack, which I often felt yawning under me, when I dared to show how much I didn’t fit it.

Clay and his family did something my parents and I did; allowing friends of mine whom were having a hard time to stay with us. Only Clay took it a step further; Justin became part of his family. He became his brother.

I marvel at seeing how they were romantic rivals and enemies in the beginning over Hannah, yet her memory brought them together, forming a bond which was among the strongest they had. It was beautiful and bittersweet, seeing how this evolved and changed.

One thing I envied was being able to go to formal dances without a date of the opposite gender, a change I’ve found wondrous. Having two prom kings was a dream come true, something I’m delighted to see future generations celebrate.

I do remember at regular dances forming a circle, those of us without a date. We’d sway together during the slow numbers; feeling the power of honoring a more communal and less intimate love than that of a twosome.

I recalled this when Clay’s friends surrounded him during a song which reminded him of Hannah. Seeing them all link arms and slow dance together echoed that power, yet it had a unique sweetness all its own.

The court trial brought back a recent memory of anxiously awaiting results of how fate and the law would effect the future. The result was like an echo in fiction of what happened in reality.

When all of the survivors of abuse showed the courage to stand up and declare it, I cried. I remembered all the people I’ve know who survived sexual abuse. I found myself crying and crying, yet I felt my spirits lifting, as if I was relieved of a weight I hadn’t realized I’d been carrying.

There was so much pain in high school, yet there were moments I wouldn’t have taken back for anything. I could see one of those moments in the prom. Seeing the two kings, seeing the various kids dancing reminded me of times when I danced, gathered with a club for a picture, or shared a moment with my friends.

High school is a difficult rite of passage, but what would we have without it? What would we lose, if we didn’t have it? If kids didn’t go through it?

No one should terrorized or bullied, but everyone should have a chance to learn, grow, and develop their thoughts; discovering themselves as they do.

May future generations never lose the power to flourish as individuals. May you find wonder and encouragement as you learn, regardless of what obstacles stand in your way.
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Most of my life I’ve taken flights of fanciful fandom.

I’ve lost track of the times I’ve gone to Oz or Wonderland as a child. I’m not sure if I was aware of the concept of fanfic until I was an adult. I imagined, talked, and roleplayed it, driving many people crazy as I dragged them into it with the enthusiasm of an obsessive. I played out crazy crossovers with a mixture of Star Wars figures, Smurfs, and Strawberry Shortcake miniatures.

I enjoyed reading fanfics and visualized my own, not quite daring to write any; not until Amber Diceless Roleplaying Game.

One of the ways to get extra character points was to write a journal for my character. Rowan, daughter of Deirdre (none of the male players got the Anne Rice reference, although they smirked whenever my character was around Martin) was fleshed out exquisitely.

I’ve returned to The Chronicles of Amber while keeping a promise I made to myself during lockdown; to return to the books I loved and write reviews for them. I was one of the few people who enjoyed the Merlin books as much as the Corwin books, although I needed the Corwin books to enjoy them. I needed to get to know Corwin and Brand first to appreciate the hungry holes of need they left in Merlin and Rinaldo’s lives, holes which would be a shared bond between the two young Amberites. I needed to encounter Dara with Corwin; appreciating her with, strength, and ambition to see what Merlin was grappling with, to catch a glimpse of what a forbidden passion as well as a power project the Silver Rose of Amber might be.

I’ve found myself writing fanfic about Dara along with some of the other women of Amber. Flora and Llewella have discovered voices which surprised me. I wonder about Nayda; once a more ambiguous life form being shaped into something more definite as Gail, finding herself trapped in a body. I consider the more sinister impression she must have of Mandor than Merlin does, not to mention Dara. I think of how much she impressed the Pattern, how interesting it would be if the ultimate entity of Order continued a more friendly relationship with this Chaos demon.

I find new characters popping into my head as I chortle over the stoned boys at the Wonderland bar; singing, watching the man paint while the Cheshire Cat grins. I imagine a non-binary bartender named Alys with the blood of Amber and Chaos, yet no knowledge of either Pattern or Logrus. All Alys knows is the mural, reflecting a shifting reality which they’re helping the man create. Sometimes Alys arm-wrestles visitors and borrows the Vorpal Sword to fight bandersnatches. They sport a bandersnatch tattoo, pouring drinks for Merle and Luke when they come to visit. They listen as the two kings get drunk and sing.

I find myself hanging onto Mandor’s every word as he wines and dines Merlin with such charm, courts Fiona, and entertains Jasra; all the while noting his casual mention of the hells he’s personally designed.

There’s so much potential in Amber and Chaos. It’s a creative cauldron of a vast array of worlds overlapping each other, sometimes shifting and changing along with their denizens.

How could I resist?
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There wasn’t much anime at FanimeCon 2024. I might have enjoyed some of what was playing at the Doubletree, anime my husband saw, but didn’t get into.

I wouldn’t have wanted to miss the panel on queer fandom. I felt like I was reliving my youth; as significant events and changes were cited over the years.

I remembered my furtive visits to fanfic sites as our panel host shared them in the early 1990s. It was such a guilty pleasure, going to them. I didn’t dare tell anyone about that pleasure, yet I wouldn’t have given it up. At a time when most of the TV shows I enjoyed were pushing the most contrived heterosexual relationships to deny the homoerotic power crackling between many characters of the same gender; fanfiction was like a drink of cool water upon a parched throat.

I remembered all of that as I sat there, listening. I remembered when the world became aware of slash fanfction. Our enemies screamed abuse and did everything to stop up, putting pressure on the sites where slash fanfic could be found to deny readers their passion. I remembered the crushing sense of betrayal when beloved authors sides with our enemies in opposing our passion, making it all the more guilty.

Thank all the powers in existence for Storm Constantine. It made all the difference in the world that she was there for us, supporting us. It made all the difference to me as a writer, having her as a source of inspiration. It still does. Her words live on to generate creativity, even though we lost her.

No way was I not going to mention her when I realized our panel host had never heard of her. I’m going to remind slash fiction readers and writers of her every chance I get. I remember how much it mattered to me when I found her and started reading her. I connected with Storm Constantine’s writing in a way I hadn’t anyone’s other than Anne Rice’s. This was my writing. This was a writer I felt represented me; what was in my heart that I fumbled to express.

It wasn’t just the Wraeththu books; the amazing, post-apocalyptic, androgynous flowering hope they presented to a binary world. It was everything she wrote. I felt connected to everything.

I’m still mourning her loss. I still draw upon her words for inspiration.

We’ve come so far since that time when Storm Constantine first began to inspire me. It’s taken much of my life and all of my youth to become a published author of original stories and poems along with a prolific fanfiction author at Archive of Our Own.

At least I’ve lived to see these things happen. Not everyone is so lucky.

Thank every power for Archive of Our Own. Thank you for being a place where I can post all of these stories; fanfiction for series lost past which still bubble up inside. Like Storm Constantine, you’ve become a haven, an inspiration, and a historical landmark in fandom.

We are all the better for having you.
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I love having Good Omens on DVD. Being able to plunge into the commentary, watch the episodes, pausing at my own pace without being pushed into the flow of the stream. Streaming is very nice for watching things for the first and only time, but being a fangirl who likes to return to favorite series and moments again and again, it’s a delight to own these discs.

I found myself able to pause and study God’s card game with the babies; noticing for the first time that Baby A was the Ace of Spades, Baby B was the Jack of Clubs, and Baby C was the King of Hearts, appreciating the detail and the fact that God doesn’t allow the viewer to see all her moves. :)

I speculated about Baby B’s adventures after being wheeled away. Yes, it could have been Baby A, Arthur and Deirdre’s son, but I like to imagine it was the ambassador’s actual son, paralleling events of The Omen. A horrible fate of the child’s fat being harvested for a warlock’s spells was averted by Crowley running down the warlock when said villain set the baby’s basket down for a moment. A goth child hanging out in the graveyard found the baby and took him home. The goth child (who would later be in bed with the owner of the power plant) wanted to call the baby Damian, but their parents called the foundling Brian. Thus Brian ended up close to the Antichrist, even if he wasn’t the Antichrist himself, and was actually the son of the American ambassador, not Warlock.

The moment Adam acknowledged Arthur Young as his real dad may very well have erased the third baby or erased the Antichrist. This means there was only two babies in the reformed universe; the Youngs’s and the ambassador’s.

This erases the other idea I had of young Warlock having a genetic test, only to discover his parents aren’t his parents. He might come looking for Deirdre and Arthur, his biological parents, only to find Adam, this interloper living with them. Or he might try to kill Adam, thinking he’s the actual son of the ambassador and legally entitled to his inheritance. After all, Warlock was raised with Crowley and Aziraphale both influencing him, having the potential for either good or evil.

Warlock might miss his nanny and his gardener. He might try to find them, only to cross Adam’s path.

What Neil Gaiman came up with for Good Omens 2 was much better than anything I speculated. I had a feeling there’d be more flashbacks with Crowley and Aziraphale. Wow, did we ever begin with a beauty, following the theme of Crowley and Aziraphale questioning Heaven and Hell’s plans, bonding as they did. Much of what happened was a delightful surprise. It was great seeing certain actors return as different characters. The speculative, suspicious part of my brain wonders if they’re truly different people or just altered by the Apocalypse, hellish, or heavenly design.

It’s been a delight to watch. I look forward to seeing more!
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Once again I was late to the party. Years later I’m watching American Gods. Once again there were reasons I missed it. Not as good as my reasons for missing Hannibal, but I had them.

I’m always nervous about an adaptation of something I enjoyed. I liked the book a lot, even if I didn’t love it, reading it again and again as I did The Sandman. Bryan Fuller and Neil Gaiman putting their creative talents together seemed like something I shouldn’t miss, yet Bryan Fuller leaving made me apprehensive. I remind myself that he left Dead Like Me, yet I still loved it. This didn’t make me less apprehensive.

Falling in love with the televised adaptation of The Sandman made me decide to see if I could find clips on Youtube, see if American Gods interested me. Did they ever. Not long after I decided to buy the series on DVD.

I’m almost finished with the second season and I’m totally hooked. I was stunned to see so many people from Hannibal; not just Bryan Fuller, but Chris Byrnes, Gillian Anderson, Brian Reitzell, Johnathan Tucker, Demore Barnes, Scott Thompson, Jeremy Davies, Jesse Alexander, Adam Kane, and David Slade were all involved. Not to mention Omid Abtahi whom I’d found so compelling in the Heroes pilot, playing the lover of a djinn. Seeing Ian McShane as Mr. Wednesday made me grin, for I grew up watching Lovejoy. Along with Emily Browning as Laura Moon whom I remembered as Violet Baudelaire in A Series of Unfortunate Events. I absolutely adore Bilquis. She reminds me a little of Sylar on Heroes, journeying across America in search of victims, err, worshippers. He collected powers, she collected passions. At the same time she could be so loving, so utterly sympathetic.

All of the characters have been multifaceted, even the unsympathetic ones. I’m almost at the end of Season 2. I’m curious what’s going to happen next. I have some idea of what’s coming, yet there has been so many surprises.

The very concept of gods, how powerful they become, depending on how much they are worshipped is something I’ve played with in my own writing. It’s fun to speculate in fanfiction about how powerful pairings can become when people believe in them, spend a lot of time writing about them, drawing them, investing more than a little of their heart into them. Can worshippers create their own deity without even realizing it? Or can they consciously craft a god to act according to their will and wishes?

Either could be terrifying and wondrous. The deities we create can be uplifting or repulsive. Perhaps both at the same time. They can empower the ugliest parts of ourselves or the most beautiful.

It’s something I’ve wondered about in real life, the blind faith we can put in those we worship. It’s a theme I’ve returned to again and again.

Interesting to see in this series the old gods striking back, trying to take a stand against the newcomers. Or adapt and join them.

Like I said, I’m curious what will happen next.
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Searching for information on Victoria Winters, I glimpse articles which suggest Dark Shadows has outgrown her.

Seeing this makes me sad. I wonder if they wouldn’t make Dan Curtis, Dark Shadows’s creator sad as well. A dream about her was what shaped the very idea of Dark Shadows.

The series began with Victoria Winters’s journey. I’ve always felt like that journey was incomplete. That she left before she could finish it. Or gets derailed by Barnabas Collins.

What if she continued that journey? How could she after returning from 1895? Disillusioned from being immersed in a past which felt short of her dreams, nearly hanged for a crime she didn’t commit? She even killed a man in the original series in order to save a life, giving her something in common with Will Graham from the Hannibal TV series. She fell in love with a man in the past who might or might not be part of the present.

All of this strikes me as fertile ground for conflict, change, and growth. The mistake is having Victoria Winters return and not experience these things. Even the actress who played her felt this. My heart went out to Alexandra Moltke, the frustration she felt. The lack of Victoria Winters’s growth was unfair to both the character and the actress.

Yes, Barnabas Collins and Julia Hoffman were and are extremely popular characters on Dark Shadows. I love them, too. There are ways to give Victoria Winters a more dynamic role at the heart of things while providing plenty of drama for Barnabas and Julia.

Easy for me to say years later, not fighting deadlines, studio expectations, and all of the practical concerns you have to cope with or you’re running, writing, or directing a TV series.

Maybe there are things I can do because I’m none of those things. Maybe there are things only I can do because I’m a fanfic writer.

Maybe I can let Victoria Winters finish her journey in a series of steps, stand alone stories which are interconnected.

Maybe in these stories she can discover her heritage, whom she really is. By tweaking a few details in the canon, here and there, her past and her future can be connected, allowing her to play a part in storylines she never got a chance to be involved with in the canon versions.

Maybe I can merge elements of the original Dark Shadows with the 1990s remake, the Innovation comic, and my own ideas to create a robust environment with rainbow flourishes to offer a taste of the Dark Shadows I always dreamed of. A Dark Shadows where Victoria Winters comes into her own as a woman and a witch after nearby being hanged for these things. Maybe she finds the strength to confront problems which others more devious cannot.

I’m still developing these ideas as I write them. I’ve been thinking about them for a long time.

I’d like for Victoria Winters to continue her journey. As a creative, imaginative girl with a hunger for the past, her own past in particular, but any past she can find herself within, she has a lot to offer viewers and readers as a protagonist. She got some of what she wanted in a nightmarish way during the 1795 flashback, but that doesn’t have to be the end. There’s more to learn, more to confront.

There’s something compelling about Victoria Winters’s softly-spoke narrative. Something distinctive and unique. It deserves another chance to speak and be heard.

I hope it will get more opportunities to do so. In the meantime, it speaks to my imagination, compelling me to tell her story where and when I can.

Perhaps it will do so for others as well.
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Tears pour down my face when I revisit the water colours of Beatrix Potter in her stories, revisited in the animated series. Always there’s a cottage. Niamh Cusack as Beatrix Potter sits outside, painting, surrounded by various animals until it begins to rain. She gathers herself and her things, retreating into her cottage for some tea and story, talking to her various animal companions as she does.

It’s such an ideal which impresses itself upon me, tied up with innocence and safety. It becomes more and more precious to me as I age, becoming less so.

What would we do to have such a peaceful retreat? What would we sacrifice to have it? To create such a space for others?

I’ve seen other cottages which offer such shelter. The one in the Ridley Scott movie Legend until it was invaded by winter and goblins. Such a cottage Shan took shelter within to heal his wounds in The Crown of Silence by Storm Constantine.

Such a cottage exists in my own Omphalos. Innocent creatures forget their shadowy origins within its walls, finding love, family, and peace.

At least they do until the world intrudes upon them, dragging them back or changing them. It’s a concept as old as the fairytale princess fleeing from her terrifying situation to take refuge in a cottage. It doesn’t last. It can’t.

Even if it’s an illusion, it’s nice to feel safe. Especially when there’s a lot of danger, lurking in the world.
Maybe this is part of the reason I cry. The cottage isn’t truly safe, but I wish it was. For a quiet moment, I can pretend it is.

Such quiet moments are luxuries. Not everyone gets them. Not everyone appreciates them. How much happier would the would be if they did?

Maybe this is another reason I cry.
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Memories of fanfics unfinished come flooding back. Two things brought this on.

One was watching Interview with the Vampire and seeing Rae Dong Chong’s name in the credits. I remember her appearances on Highlander and Poltergeist the Legacy, but I also remember her sister, Robbie Chong. I remember how she played Alex on Poltergeist the Legacy, a character I was always hoping would get a more active part.

I had all these fanfic ideas for Alex and Kristen. I imagined the two of them in the Legacy library, talking and flirting about various varieties of vampires, contrasting them to the vampire Alex almost became. I imagined Kristen shooting herself up with a compound which was the reverse of what Giles used on Buffy to take away her powers, pretending to be a Slayer. I imagined a huge crossover where Alex drew on her vampire powers and went to ‘Salem’s Lot, pulling rank on the local vampires, pretending to be a representative of the Authority (a True Blood reference). I imagined Alex finding out that Kristen had died in other places, only she’d had a different name. One of those was Hallie Stokes and she’d be Faith’s former Watcher. (This references Dark Shadows and Buffy the Vampire Slayer.) The whole mystery would involve the cloning conspiracy from The X-Files and Colonel Grace from First Wave.

I wrote huge fragments for this overall story, but I never posted them. Nor did I turn them into a coherent whole.

Why am I remembering this now? What is the second thing which brought back these memories?

My fifty-first birthday. It’s fast approaching. It’s a remind of how much I haven’t done, how much I have left to do, and how little time I have to do it.

I haven’t even thought of this fanfic in years. It’s not one of the ongoing stories in progress I’m posting on Archive of Our Own. There’s a whole bunch of fanfics I’ve written parts of, but I’ve never posted. Considering that More Than a Jinrou and Sisterhood of the Witchblade are unfinished, I wasn’t sure if I should post anything else unfinished.

I’m just talking about the fanfics. This doesn’t count the many original stories I’m juggling, trying to finish.

So little time. So much to write.

Better get back to work.
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Such a dystopian, dysfunctional world comes to life in Ai no Kusabi. Ceres is a particularly desperate place. The slums in all their reviled trashiness feel far more honest than Guardian, the poisoned Eden where its children grew up. Certainly more honest than the rigidly controlled and corrupt Midas. Certainly more than Eos, the elite Paradise of Pet life and Blondy disdain, still dependent on the slums to furnish them in more ways than one.

Perhaps Iason Mink expressed that need with a more honest ruthlessness than most Blondys. A need which no one else understood (or wanted to understand). A need which led to his downfall along with Riki’s.

If ever a world cried out to the TARDIS, it’s this one. If ever a society was sickened by hierarchy and humiliation, trapped in its own ways, it’s this one. If ever a place needed a Doctor, it’s here.

Perhaps Iason and Riki were a fixed point of time and space, far too important to meddle with. Perhaps they could be saved.

Their existences remain mysteries the Doctor(s) and their companions could explore. The answers could help the survivors, even if the answers feel poisonous.

I definitely see Katz at being a temporary companion/contact the Doctor and their companions would work with or against. Possibly both. The same is true of Guy.

Zico is more likely to be an adversary, but he could turn. Raoul and the Blondys would be adversaries. Raoul seems the most resistant to change, the most likely to strike back at anything that threatens his stagnant world. Iason’s fate may have made him more fearful and rigid than ever, but he can’t help doubt in the face of determined adversity. He doesn’t have the drive, energy, or wit that Iason had, something which may well have maddened him.

The ultimate adversity and answers may lie with Jupiter, Iason’s god. Why was Riki so special? Why did Iason react to his so passionately in defiance of the order he was on top of? Why did
Jupiter tolerate it, even when all the other Blondys felt Iason had gone too far?

Some of these answers were already revealed. I feel like there’s more to come, beyond the tragedy of Riki and Iason, yet also concerning the tragedy of Riki and Iason.

Perhaps it was all an experiment which became real. Not only Riki and Iason, but this elaborately structured world which collapsed under individual determination to exploit it.

Not everyone in this drama has reached a resolution or a reckoning. I could see the Doctor having a hand in this as the Doctors have had a hand in the revolution of many a dystopian world.

It’s something to think about.
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Recently I watched the movie A Series of Unfortunate Events. I read the entire book series years ago. Jim Carey makes Count Olaf fun in a way Lemony Snicket does not approve of (at least not in the commentary :)). Just as Timothy Spall brings a touch of charm to Mr. Poe which I’m sure I felt from the page.

As unpleasant as the events were, there was something about the misadventures of the Baudelaires that was fun. Not to mention I loved the elaborate sets created that became the landcapes from the books, reinvisioned in a style that was both Dickensian and modern. I particularly loved the end credits in all their lovely Victorian-Gothic glory.

Those animated credits brought back memories of a TV series from my childhood, The Perils of Penelope Pitstop. Like the Baudelaires, Penelope found herself stalked by a relentless villain wanting her fortune. Like the Baudelaires, she had to use her wits to escape the many perils this villain laid in her way. Even if Penelope had more help in the Anthill Mob than the Baudelaires did from Mr. Poe. (He did have his moment/s? in the movie. Possibly two of them.)

A Series of Unfortunate Events was a more Gothic-feeling show than The Perils of Penelope Pitstop, bringing to mind another old favorite from television where unfortunate events happened at a particular old manor called Collinwood, Dark Shadows.

Thinking of these series caused another flight of fanciful fandom.

What if Lemony Snicket, narrator of A Series of Unfortunate Events, often in as much peril as the Baudelaires from the casual comments he dropped in the books were to find himself at Collinwood? At Collinwood, being questioned by the various children who’d lived there about the particular misfortunes they’d had to deal with? Mr. Snicket does not believe in the supernatural, but he has seen many a strange thing. He might have his own curious explainations for the ghosts, werewolves, witches, and vampires that lurk about Collinwood. They might even close to the truth.

Stranger things may have happened to both Mr. Snicket and the children. Stranger things may happen still.

It’s worth a thought.
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It’s curious, yet gratifying, seeing Vampire: The Masquerade being renewed as a streamed game in modern times. It brings back a lot of memories. Not only of the Vampire games I played in or ran, but of past flights of fanciful fandom, all the story ideas I once had.

I remember the noble Ventrue knight I conceived for Vampire: The Dark Ages along with the scheming Lasombra abbess. How they encountered and survived a Baali who caused much trouble and grief for both of them. Only to encounter her again when they were older, Elders, with a lot more power and less humanity. I recalled the dear friend the knight had who disappeared, only to appear centuries later amongst the Tremere with a host of dopplegangers appearing along mages.

Some of these flights altered their trajectory. They flew out of the World of Darkness and all its copyrighted associations to transform into something original, several somethings original. For I spent a lot time daydreaming in the World of Darkness. It’s always held a soft spot in my heart. I joke about being a Toreader; falling in love with art and beauty, being ready to frenzy when those things are threatened. Plus I wince at the loudness of cell phones, televisions, and background noise while I writhe in utter delight at the music of Amethystium, Delirium, or Christopher Franke. Sometimes I’m mesmerized by certain movies, TV shows, or performances. Ahem.

It’s a gaming world which had a profound influence on me. I fell in love with the cover of the very first core book I saw of Vampire: The Masquerade with its green cover and the single rose upon it. I fell in love with the way it acknowledged women and characters with different sexualities. I fell in love with the way it quotes everything from pop songs to Shakespeare to Nick Knight.

I’m delighted other people, other players are falling in love with it, too. I’m delighted that people have the option of watching a live stream of this particular game. It’s invigorating to see Vampire: The Masquerade re-invigorate itself with fresh blood.

Long may it stalk the night.
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In these times of trouble, I find myself gravitating back to Peter Jackson’s extended version of The Fellowship of the Ring. Drinking in the beauty of the costumes, craftmanship, bigatures, acting, landscape, music, and story; how all of it comes together.

I find myself sneaking peeks at the book by J.R.R. Tolkien, even though I’m busy with othr things, even though I’m in the middle of a lot of other books. I find myself looking for certain scenes. Frodo, Pippin, and Sam meeting elves while finding themselves pursued by Black Riders in the Shire. Frodo wondering if he should take any of his friends with him on his journey, only to run against Sam’s stubborn loyalty and determination not to leave him. Sam and Farmer Maggoty standing between Frodo and a mysterious rider, who turns out to be Merry Brandybuck on a pony. Frodo coming to the house at Crickhollow where the conspiracy of his friends is revealed. The confrontation of Old Man Willow in the Old Forest. The hobbits getting lost and trapped in the Barrow-Downs.

I find myself wondering if maybe Belladona Took and her sisters might have visited the Old Forest, met Tom Bombadil and Goldberry. Maybe Belladona found the gold which helped her husband to build Bag End in one of the barrows.

I found the Barrow-Downs fascinating. How different is a wraith from a wight in Middle-Earth? One seems to be much mor powerful. Both are bound to the corporeal world by treasure. The things that bind beings that are untangible, making them more tangible is something I’m exploring in my own worlds. Just how much did Tolkien influence me? He’s one of the great literary loves of my life. I’ve struggled not to copy him. To break out of the box confining me to high fantasy, yet I love many of the contents of that box.

It’s only too easy to let Tolkien’s world comfort me when my own reality is terrifying. To know it took him fourteen years to create his masterpiece. To be reminded that masterpieces take time. To realize I haven’t abandoned the ambition to create masterpieces of my own, even if it takes my entire life to do so.

Wish me luck. I’m going to need it! :)
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Warning: Spoilers for Tales of Exandria: Calamity

Tales of Exandria: Calamity is a beautiful example of tragedy done extremely well. We soared to the lofty heights with the characters. We saw one of them realize her lifetime’s ambition before she fell, using it to wrest total victory from her enemies. Knowledge, treasure, and devotion to their flying city was sacrificed to save the next generation. A couple who loved each other deeply yet could not live together rediscovered their passion in the flames. A noble knight whose faith was rooted deeply in redemption was doomed by that faith, hurled into the devil’s arms. Those who loved him can only hope that such a faith can spark a very different kind of light within the consuming hellfire.

All of this launches a flight of fanciful fandom about what comes next. What will Maya do with Patia’s orb? How will Cerrit and his family carry on the fight for their world? How will Evandrian and Elias try to snatch Zerxus back from his new master? Does Zerxus’s faith have any chance against a lord intent on not only hurting him, but proving him wrong?

I’ve already imagined Caleb and Essek uncovering traces of the lost Avalir in their search through the ruins of Aeor. Perhaps Bollo (whom I keep imagining was a spy or a pirate for Aor after the Architect Arcane’s secrets, hence getting close to her ex-husband) captured Loras the Weaver’s Mask, protected by Loquacious’s Wall of Force. Bold enough to plunder Avalir’s wreckage, sly enough to escape the destruction, she took her dubious treasure back to Aor (she wanted some of the Architect Arcane’s toys, she ended up with an extremely self-important elf). In an Aeorian prison, Loras writes his memoirs, haunted by the ghost of Patia, of her last words to him. Of his last words to her, that he’d survive the night. He often wishes he hadn’t. Perhaps the technology Caleb sought to turn back time in the ruins of Aeor were the goal of Elias, centuries before him, hoping to save his father.

I’ve imagined stories about Avalir during its days of glory; little tales of the flying city like Thieves World or Merovingen Nights which might be spun. I’m still very curious about the backstory of Nydas and Zerxus. Did they meet through Evandrian, Zerxus’s husband, the former First Knight? Or does their bond go back before that? Was Evandrian, the former First Knight, also a paladin without a god? Or was Zerxus alone able to draw upon a divine source beyond divinity? How did Loquacious Seelie come from the Feywild to Exandria? How did he and Laerryn meet? What was the story of Patia’s parents? Why was Cerrit so driven to hunt down mages?

This epic tragedy spurs a flight of fancy, thought, and story; yet it stands powerful and strong in its own right. Thank you; Brennan, Marisha, Luís, Aabria, Lou, Sam, Travis, and all the crew for sharing this creative feast with all of your viewers.
rhodrymavelyne: (Default)
Every time I watch the anime Shiki, I discover something new. Questions and ideas pop up in my mind in response.

Why was the western-style house built on Kanemasa property? Was there a link between that house at the church?

What went on between Ozaki Toshio and Yuuki Natsuno that we didn’t see?

What would happen if Ozaki Toshio and Muroi Seishin met again after the series?

What if Tatsumi and Yuuki Natsuno survived the explosion?

Why does Natsuno look so much like older brother in Seishin’s story? What if there was something special about Natsuno? Something triggered by touch which affected not only Megumi and Tohru, but Tatsumi, Akira, and Ozaki Toshio as well?

What if there was more to Natsuno’s father moving out to the country than he revealed to his family?

Why do shiki return to the same victims again and again? Why do they have to kill their victim instead of taking a little drink and moving on to another?

Who was the vampire who showed up at Sunako’s house and killed her?

What happened to Aoi, Tamotsu, and their parents?

What if there was more to Muroi Seishin’s story than even he realized?

Some of these questions I’m exploring in my fanfic. They play into my ongoing story More Than a Jinrou.

Some of them are occuring to me as I write the next chapters. I’ve starting watching Shiki again, to check the details, figure out when and where the characters were at a particular time for a major flashback.

Mutou Takeshi, his wife, and surviving children seem to disappear after the showdown at the shrine. I need to double-check, make certain they’re not somewhere in the background before I move forward

Wish me luck in this.
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When I come back from DunDraCon, I’ve always got a head full of fancies after all the intense roleplaying.

This year I got to channel some of that fancy into my roleplaying itself. Onyx had their best year in Pol Stafford’s ongoing Exalted: Endless Caravan. All of that X poetry I’ve been writing for Fuuma and Kamui at Archive of Our Own paid off in unexpected purple inspiration. Onyx was able to deliver flowery statements their player previously stumbled over. Not to mention I was pleased with the dream image of the lemon tree Onyx had to wade through a field of blood to reach. All the while hearing their mother sternly admonish, “Do your duty.”

There’s also the image Onyx got for a moment while confronting a Malfaen monster of a giant wyrm caught in a web, thrashing in agony.

This is what happens when I have great fun with a great group of roleplayers. Nor was it the only time.

Equally fun with an equally great group of roleplayers (some of the same ones who were in the Exalted game) was Liz Ruifrok’s Werewolf: The Apocalypse game. A part of me chastised myself for not playing the evil psychiatrist. This was as close as I’ve ever come to playing Hannibal Lecter and I quailed at the challenge. The challenge did make me think of what Mads Mikkelsen might have faced when he played Hannibal Lecter on the Hannibal TV show. The audience already knew who Hannibal was. The players knew this character was evil. How would I have convinced them that he wasn’t, even when they knew he was? How could I confuse them while staying true to the character?

It would have been an interesting challenge. At the same time I loved playing the character I did, finding the balance between being a peacemaker and his own inner violence. I loved how he interacted with the other characters. Liz ran a fascinating game in Las Vegas where a subsidiary of Pentex was actually part of the light we werewolves perceived in the city. Why was that one casino lightless?

I always look forward to Alisha Walton’s Changeling: The Dreaming campaign. I don’t really have time for a campaign in real life. This is the closest thing I have to one. More than one character grew, developed, and acted out of character, due to that development. Jojo, my character was one of them. I marveled at how emo he got, years before the term emo was coined. Walking out on his best friend and his motley when he felt there was far too much truth in what she was saying. He had a really sweet moment with another charcter, too. I haven’t been able to get what his player said out of my mind, about the dream of a fox and a redcap. It sparked off an idea I want to talk to the Storyteller and the player about. I still need to do that, but there’s no hurry. Best of all Jojo’s unrequited crush may not be as unrequited as he and I believed it to be. As always there was some brilliant roleplaying and the other players had me laughing my head off.

In between games when I wasn’t eating, talking to friends, trying to clear my head or catch my breath, I was writing. Several fannish flights of fancy came to me, including one where part of BTS’s Army were maenads or werewolves of the Black Fury tribe. Others were Bacchae or vampires. Needless to say something was going down the next time BTS sang Dionysus. Or maybe BTS themselves might reveal a few supernatural secrets? Jimin is certainly beautiful enough to be sidhe. :)

This is just one of the flights of fanciful fandom DunDraCon takes me on. Thank you for the inspiration, DunDraCon!

Overwhelmed

Feb. 1st, 2022 12:06 am
rhodrymavelyne: (Default)
I just wrote/posted at cauldronkeeper.livejournal.com about how overwhelmed I get as a writer.

I get overwhelmed as a reader, too. And as viewer.

Sometimes I feel like I’m being bomboarded on all sides by advertisements, waving at me, flashing at me, screaming for my attention.

“Buy me!”

“No, me!”

“You want me, you know you do!”

“Spend money on me, me, me!”

“No, me, me, me!”

Don’t get me wrong. I’m glad there’s a plethora of interesting things to choose from when I wish to shop.

As a writer I understand the desperation to get your product out there, to get noticed. Believe me, I’m feeling that desperation myself.

Only I sometimes feel like Luke Skywalker in The Empire Strikes Back, being bombarded by more flying objects than he can possibly concentrate on.

It’s particularly bad when the advertisments aggressively pop up when I’m trying to read or watch something else, forcing me to look at them.

The last thing I want to do is look at them. The first thing I do is close the window, fighting the urge to run away. I feel like I’ve just been flashed. I’m scared and repelled by whatever is in the window.

No way am I going to be buying that product. Considering how shy and insecure a lot of people feel lurking online, I wonder how many other potential customers have been frightened off by aggressive advertising?

How many other people feel overwhelmed?

It’s food for thought.
rhodrymavelyne: (Default)
One of the things I distracted my fearful mind with during lockdown were titles. I memorized the titles of episodes of television series I have on BluRay or DVD, thought about how those titles informed the story being shown on the screen.

Supernatural and True Blood often used a song title for their episodes. This didn’t just reveal aspects of the plot, what the characters were going through, but contributed to the overall mood of the series. For Buffy the Vampire Slayer, it sometimes was a line of dialogue from one of the characters which gave a peep at where the plot was heading, what was in the minds of those characters. (I thought the choice of Hush for the episode without dialogue was a brilliant one.) Hannibal used the names of a particular food or dish for their titles, which always got me thinking. What was the dish? How did it connect to what the characters were going through? This changed when Hannibal reached the Great Red Dragon arc. The titles became Blake paintings and bible quotes; shifting the focus from Hannibal Lecter to Francis Dolarhyde ever so slightly yet keeping Hannibal Lecter in sight, for some of the bible quotes were his. Teen Wolf titles have often been brain twisters; designed to impart lessons or teach something.

All of this gets me thinking about my own title choices, how they inform and direct my plots. The sooner I know my title, the sooner I know where I’m going. I often use my title as a guide, to keep my focus on the plot. There’s always an emotional resonance with the title to whatever the characters are going through. Not that I always know what my title is at first. Sometimes it takes a little while for the characters and myself to figure out what’s going. The title slowly reveals itself when we do.

I’m strongly drawn to a thematic title that draws all the elements of a story together. Sometimes to calm myself down, I recite titles. I think, “Why did the writer choose that? How does it connect with the overall story? What would it go with?” I’ve encountered similar titles in different series. Both Teen Wolf and Supernatural have used Ouroboros. This is a word I’ve used for a series title or universe of my own, slightly mispelled; World of Ouroborous.

Title choices offer a snapshot view of a story. It fascinates me what a storyteller wishes to reveal in that snapshot. It makes me think hard about what I want to reveal in that first glance. I’m reconsidering some of my titles for certain Works in Progress. I’ve changed others before several times when they didn’t quite work.

When a title is a keeper, I’ll know.
rhodrymavelyne: (Default)
One of the biggest sources of inspiration for my multi-part Shiki fanfiction (other than Shiki itself) was Lost Girl.

Bo was a succubus, a woman who fed, survived, and thrived on sex. At the same time, she shied from using sex for her own personal gain. She was in many ways a girl scout, the voice of morality in the world of the fae. She was an independent, innocent, and rookie individual in a new culture of customs and tradition. I started seeing a parallel between Bo and Yuuki Natsuno of Shiki in their independence. Both Bo and Natsuno stuck out in their particular communities, often arousing interest and desire, yet never quite fitting in. (I was also watching both series at the same time.) I thought about the reaction Shimizu Megumi had to Natsuno, the way she lurked outside his window, never leaving Natsuno alone or any he got close to. Megumi's behavior reminded of Ryan Lambert and others ‘touched’ by Bo, how they’d be filled with a stalker-like madness. I considered the possibility of Natsuno having such a power lying dormant within him even before he changed into a jinrou. This power would make him more than a jinrou. I was enchanted by the idea of skittish incubus. I knew Natsuno would be wary of his power until he saw a pragmatic purpose for it, a way to use it to help others. The other thing he was skittish about was his own need to help people, the people whom got behind his defenses and got close to him. I found myself discovering this about Natsuno as I wrote More Than a Jinrou…his coldness is an act. His standoffishness is a defense to keep people away so they can’t get close to them. Once they do, his loyalty is frightening. I thought it was interesting that one of the first people to notice this quality was Tatsumi, his enemy.

Intrigued though I was, I’m not sure if I would have noticed the possibilities between Tatsumi and Natsuno if not for Buffy the Vampire Slayer and Spuffy, the pairing of Spike the Vampire with Buffy Summers. I was never much of a Buffy/Spike fan. I wasn’t a Buffy/Angel fan either at first. I’d seen far too many heterosexual relationships on television, often slapped together with overused tropes during the 1990s. Buffy and Angel had to do something different to win my heart, fighting each other to the death with swords, looking spectacular while they did it. They reminded me of Kamui/Fuuma from X 1999, a powerful pairing in its tragic adversity. (Buffy/Angel’s was brought on by a moment of perfect happiness, Kamui/Fuuma was brought on by a wish.) Besides Sarah Michelle Gellar and David Boreanz are amazing actors. It was hard not to get drawn in by their performance for all my burnt-out grumpiness. Once Buffy/Angel hooked me, I felt a measure of loyalty to them. Even though Buffy/Faith was my favorite pairing and I loved the idea of Angel paired with Xander, Doyle, Spike, Wesley, Penn, Lindsey; I respected the bond with Buffy.

James Marsters can be amazing, too. I wasn’t a fan of Spuffy, but it was hard not to be drawn into the evolution of Spike’s character. At first I was grumpy about yet another male and female character being hooked up when incredible chemistry between many a pair of male actors or female actresses was ignored. At the same time I couldn’t forget Buffy and Spike. I’d find myself recalling many of their scenes, admiring the raw honesty in them, even in their dysfuction. Later I’d see an echo of Spuffy in the Battlestar Galactica remake between Leobwin and Kara. I didn’t like that pairing either, yet once again the raw intensity of the characters’s emotions drew me in. I found the scenes where Leobwin kept Kara prisoner in that “dollhouse” on New Caprica, to use Kara’s own words disturbing, yet they kept playing in my mind. I found myself thinking about Tatsumi keeping Natsuno prisoner in such a room, having saved Natsuno from the explosion meant to kill them both. This blossomed into my Shiki fanfic After the Explosion. The way Tatsumi and Natsuno reacted to each other when they first met on Shiki made me think of when Buffy and Spike’s encounter in the high school halls in Buffy the Vampire Slayer Season 2: School Hard. If Buffy and Spike could get from that point to the one they ended on in Season 7, it was possible for Tatsumi and Natsuno to undergo an equally revolutionary journey in their relationship. There was a certain measure of respect and chemistry between them as they taunted each other. The final look on Tatsumi’s face in his last scene with Natsuno in the anime gave weight to the idea of going somewhere completely different together emotionally. This idea which became my fanfic. Plus I loved Natsuno too much to let him go. Yes, I respected the tragic finish he’d chosen to go out in, but not enough to let him rest in peace.

Along with After the Explosion, I wrote Reunion which tied in with After the Explosion. Natsuno was still alive and grumpy about it, ready to make those forcing him to live live through hell.

I hadn’t intended to write anything more. Readers kept asking me to write more. I wasn’t sure if there was any more story to tell. This was when I was watching Lost Girl, finding myself comparing Bo to Natsuno in certain ways. I also found myself wondering about Natsuno’s relationship with Ozaki Toshio, a relationship which remained mysterious in the Shiki anime to keep certain elements a surprise. If I continued, I’d have a chance to explore it. I felt that Ozaki Toshio and Muroi Seishin still had unfinished drama between them. I adored the character of Sunako, who’d been the villain, yet less villainous in many ways than Shimizu Megumi or Masao. Her cruelty had a point, a purpose. This might be a chance to show a softer or more complex side to her while she’d get a chance to interact in a more civilized fashion with her former enemies. I adore the idea that Kaori and Kanami are living together, trying to heal each other after the traumatic experiences in Sotoba with former loved ones, seeing the monstrous behavior of both shiki and humans. The way Kaori smiled and Kanami smiled back at her spoke of possibilities too.

A story is truly satisfying when it surprises me in its twists and turns yet heads where it feels like it’s supposed to go. More Than a Jinrou has surprised me often but I feel like it’s heading where it’s supposed to go. Here’s hoping the conclusion it arrives at is just as satisfying.
rhodrymavelyne: (Default)
I’ve had these recurring ideas for Hannibal fanfics in my head, playing from the fall out of the TV series. Ideas where Hannibal Lecter doesn’t immediately resurface and Will Graham has completely disappeared. Will’s absence haunts Clarice Starling, who’s never met Will, yet she finds herself chasing his ghost after seeing too much of her former self in Molly Graham, the self who had to endure Miriam Lass’s disappearance and return.

There was a character in the movie Silence of the Lambs I wanted to model Clarice Starling in my Fuller-based version of this universe in my fanfics. After reading the book, I now know who she is, Ardelia Mapp. Mapp did have a long-term, close relationship with Starling in the books, both Silence of the Lambs and Hannibal.

Yes, after much timid hemming and hawing (very similar to what I did before gathering the courage to watch the TV series itself), I’m reading the Thomas Harris books. I wanted to go to the source, to know where it all came from; the quotes, characters, and stories I’ve become so obsessed with in the TV series.

I’ve read The Red Dragon, Silence of the Lambs, and I’m in the middle of Hannibal. I’m awed by how much internal narrative was harvested and turned into dialogue by Bryan Fuller, only to be given intensity and emotional resonance by the performances of Hugh Dancy, Mads Mikkelsen, Lawrence Fishburne, Vladmir Cubtr, Kasey Rohl, Caroline Dhavernas, Hettienne Park, Scott Thompson, Aaron Abrams, Lara Jean Chorostecki, Raúl Esparza, Eddie Izzard, Anna Chlumsky, Demore Barnes, Gillian Anderson, Cynthia Nixon, Maria Del Mar, Gina Torres, Johnathan Tucker, Katherine Isabelle, Michael Pitt, Joe Anderson, Mark O’Brien, Tao Okamoto, Rinaldo Rocco, Tom Wisdom, Fortunato Cellini, Giorgio Lupano, Glenn Fleshler, Richard Armitage, Rutina Wesley, Nina Arianda, Gabriel Browning Rodriguez, and anyone else I’ve failed to mention in the cast. Hannibal the TV series is a remarkable adaptation, taking the rich, purple prose of the narrative and transforming it into dialogue. I’ve never seen anything quite like it before.

As a fanfic writer I want my stories to be worthy of this. I’m taking copious notes, jotting down ideas as I read the books. I shy away from starting another multi-part story since I’ve got three unfinished ones for other fandoms at Archive of Our Own wanting attention. Stories for Hannibal are trickling out, which are inter-connected along with a feeling that I ought to get this out while my passion for it is strong.

How I’m going to stir this up properly with everything else I’ve got cooking in the cauldron of my imagination is going to be a challenge. Wish me luck in keeping an eye on everything in the pot.
rhodrymavelyne: (Default)
A major part of my daily routine are Morning Pages. If you’ve read Julia Cameron’s The Artist’s Way, you know what Morning Pages are. You take the time to write 3-4 pages in long hand of anything that comes to mind. It can be as mundane as “I just broke my pencil lead” or Cinnamon is walking to the litter box”. It can be as random as “Moon loves raisins. Hannibal for President!” Anything which is on your mind, anything that comes to mind, you write down.

I shamelessly take advantage of this freedom to mix venting, mundane observations, and surreal brain flashes. I’ve jotted down a lot of fanfic ideas and fannish fantasies.

Lately I’ve started doing something new. I’m transcribing my Morning Pages, typing them up on the off-chance someone may be interested in my ramblings, even if it’s just me. No, that’s not the new part. I’ve been doing that for a while. What’s new is I’ve been pausing at the fannish tangents, stopping to ask myself, “Do I want to write a fanfic about this? Do I want to start writing one, even if it’s just a fragment of a fanfic?”

If the answer is yes, I seize the moment and start writing it. I’ve made a point of going back to these fragments later and finishing them.

The result is the number of my Hannibal fanfics have swelled at Archive of Our Own. Nor have all the ideas I’ve jotted down and decided to flesh out been Hannibal stories or even fanfic ideas.

Transcribing past Morning Pages have become a bit like an Easter Egg hunt where I’m never sure what I’ll find in past records of random thoughts. Is there a story buried in all this? Do I want to dig one out?

Have I mentioned how addicted I’ve gotten to Morning Pages?

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